Fabio, like Skygolpe, was among the first known people in the world of Crypto Art. It was precisely on the occasion of the exhibition at the Museo Permanente in Milan that I was able to see his works up close.

A sensation of imminent vertigo in contemplating the skyscrapers painted by him in black and white, a sensation that I amplified exponentially when I wore the oculus to immerse myself totally in his works.

Fabio was the first artist I involved in the project and he was the first to accept. While studying the place where to make the portrait, I already had many ideas in mind. Among abandoned industrial monuments, access to which was forbidden, districts of Milan too crowded to set up a set, I oriented my choice towards the neighborhood of Sesto San Giovanni.

Almost as if to recall those visions of Wim Wenders' Sky Above Berlin, I immortalized Fabio in a sort of stable balance between iron and concrete.

The horror vacui is naturally inherent in man because chaos, lack and non-being reside precisely in the void.

Instead, Fabio seems to live with this fear and vertigo, filling the void below and around him by painting on the empty canvas.

I started shooting naturally and complicity with the artist, trying to get to know, photo after photo, his vision as an artist and his person.

Print Size: cm 64 x 48 - inches 25,3 x 19


Sara Aliscioni



Sara has been dedicating herself to photography and photographic calligraphy since 2006. She matured the artistic matrix from her father, musician and composer, who led her to explore not only the world of theater, to which she dedicated herself for several years both as an interpreter as a stage photographer, but also of music, studying classical music theory and playing bass for several years, as well as cinema, influenced by the Centro Sperimentale di Cinematografia where her father worked as a sound engineer.

In addition to the various courses on photographic techniques and workshops dedicated to travel reportage, he attended the training promoted by the MoMA on photography as a means of individual artistic expression, as a technique for exploring and documenting the reality as well as a tool for communication and criticism of society and our culture. Subsequently, driven by an interest in history that draws on photojournalism as a primary source, she followed the course on the use of images, films and their historical interpretation in the 20th century with the University of London & Royal Holloway.

Among the activities followed, Sara has curated various photographic backstage works, the last of these at the Macro Museum in Rome. After having increased her knowledge, she has also matured her style thanks to the continuous and daily training of the artist Alessandro Bavari.

United by photography as an expression of art, as well as by their personal bond, together they created the book Kill the Covid! a rural horror photographic mockumentary set in Italy, faithful to their artistic, visionary and provocative style.


The photographic choice oriented towards Reportage and Street Photography, features strictly black and white calligraphy. Inspired by the language of the Hungarian director Béla Tarr, Sara Aliscioni offers images made of symbolism, drama and poetry in an objective but at the same time sentimental interpretation, describing the harsh reality that sees man at its center in familiar and everyday contexts. The common thread is always the search for beauty even when what surrounds the subject is decadent, dark and forgotten.



Extended Editorial


Sesto San Giovanni, Milano, Italy


Fabio Giampietro




Sara Aliscioni








Extended Editorial

Can be used to display privately, or in commercial and non-commercial settings, or in groups with an unlimited number of participants. The license includes unlimited use and display in virtual or physical galleries, documentaries, and essays by the NFT holder. Provides no rights to create commercial merchandise, commercial distribution, or derivative works.

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