I included in my portfolio a photographer known thanks to Alessandro Risuleo, also a photographer and portrait artist.

The narrative approach used by Mirko as well as his raw and essential style fascinated me. I found in his projects a noir key mixed with a Horror key similar to the one used by the director Lars Von Trier among my favorite directors.

I chose to portray him at night, in an old quarry next to the firing range near Sermoneta, the village where I live with my husband. During the shooting, together with me and Alessandro, there was the photographer Francesco who made the backstage and Mattia Cuttini, also an artist that I portrayed for my project who spent a few days with us. Mattia helped us in every phase of the set, starting with his red jacket that gave me due to the mosquitoes and then to the cold.

A team of 5 people with the aim of making the portrait perfect.

Even Mirko, like many artists, was afraid to pose on the other side of the lens, yet, in perfect synergy, he managed to enter the mood conceived and staged, he managed to enter inside his own photos.

Print Size: cm 48,2 x 64,3 - inches 19 x 25,3


Sara Aliscioni



Sara has been dedicating herself to photography and photographic calligraphy since 2006. She matured the artistic matrix from her father, musician and composer, who led her to explore not only the world of theater, to which she dedicated herself for several years both as an interpreter as a stage photographer, but also of music, studying classical music theory and playing bass for several years, as well as cinema, influenced by the Centro Sperimentale di Cinematografia where her father worked as a sound engineer.

In addition to the various courses on photographic techniques and workshops dedicated to travel reportage, he attended the training promoted by the MoMA on photography as a means of individual artistic expression, as a technique for exploring and documenting the reality as well as a tool for communication and criticism of society and our culture. Subsequently, driven by an interest in history that draws on photojournalism as a primary source, she followed the course on the use of images, films and their historical interpretation in the 20th century with the University of London & Royal Holloway.

Among the activities followed, Sara has curated various photographic backstage works, the last of these at the Macro Museum in Rome. After having increased her knowledge, she has also matured her style thanks to the continuous and daily training of the artist Alessandro Bavari.

United by photography as an expression of art, as well as by their personal bond, together they created the book Kill the Covid! a rural horror photographic mockumentary set in Italy, faithful to their artistic, visionary and provocative style.


The photographic choice oriented towards Reportage and Street Photography, features strictly black and white calligraphy. Inspired by the language of the Hungarian director Béla Tarr, Sara Aliscioni offers images made of symbolism, drama and poetry in an objective but at the same time sentimental interpretation, describing the harsh reality that sees man at its center in familiar and everyday contexts. The common thread is always the search for beauty even when what surrounds the subject is decadent, dark and forgotten.



Extended Editorial


Bassiano, Italy


Mirko Viglino




Sara Aliscioni








Extended Editorial

Can be used to display privately, or in commercial and non-commercial settings, or in groups with an unlimited number of participants. The license includes unlimited use and display in virtual or physical galleries, documentaries, and essays by the NFT holder. Provides no rights to create commercial merchandise, commercial distribution, or derivative works.

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